Blog

Another reworked song from my past…”Domination”

Back in the summer of 1989, my friend Christian Beach and I were in a misguided — but well-intentioned — synthesizer-based rap outfit called TMC+The New Generation that was the brainchild of a rapper from Asbury Park, NJ. I’ve often described this band as something like Depeche Mode-meets-Run DMC…but not in a good way.

Of course, this wasn’t for a lack of trying — or a lack of talent. We were just too young to know any better. I had just graduated from high school and Christian was still there. But even back then, it was easy to see a ton of musical talent in Christian that just needed time to fully develop (and today he is a really talented singer/songwriter/multi-instrumentalist).

Anyway, that summer of 1989 was probably our most productive time writing songs for TMC. One of those songs was called “Domination.” The night before a rehearsal, I had written most — if not all — of the lyrics for the track and told Christian about it. He then said he had been playing around with a synth-bass line that fit the lyrics I had written perfectly.

As we often did, once we got the foundation and structure of a song together, we would record a rough live version of it so we could listen to it away from rehearsals and think of ways to improve the song. Fortunately, that means a copy of an early version of the song exists, which you can listen to below.

A year or so ago, I was listening to the original version of “Domination” and thought about reworking it a bit and making it a bit more modern. But the 80s techno quality is really a big part of the song so I wasn’t sure how to go about it.

Well, during the past month or so, I’ve been slowly but surely finding bits of time here and there to work on a new version and now feel ready to present what is sort of a “Domination 2.0″…with the possibility of subsequent “Domination 2.x” revisions or perhaps even a “Domination 3.x” to follow that.

So, for your listening pleasure, here is the original recording (with some vocals added recently for improved vocal depth) followed by the 2010 version of “Domination.” Enjoy.

Domination (Original w/ 2010 vocal overlay)

Domination (2010)

By the way, that female-sounding vocal in the 2010 version is actually me. I used the “male-to-female” vocal transformer effect in GarageBand to do that. I did it as a joke at first, but I liked the contrast in the vocal quality (even though it’s not the cleanest of effects) so I kept it in.

Oh, for one more treat, below is a video of us performing “Domination” at the long-defunct Green Parrot in Neptune, NJ…this is chock full of my forgetting lyrics in the first verse, stepping on and pulling out the microphone cord and — by mid-song — just wanting the song to end so I could return to the relative safety behind my keyboards. And all of that doesn’t even mention my hair, which was a complete disaster on its own.

24 years of Peter Gabriel fandom: “Secret World” (1994)

So here we are…the fifth and final installment of my Peter Gabriel video series this week, marking my 24th anniversary as a fan of PG. This is sort of a wild card for me as I didn’t get to see PG on his recent “New Blood” tour in support of his orchestral covers CD, “Scratch My Back,” and that would have been the next progression in the sequence of live videos. However, I wanted this week to kind of recapture the joy I have experienced during PG’s live shows over the years. Since I didn’t see the “New Blood” tour, I’m basically picking today’s video out of a hat.

Well, that’s not entirely true because I knew right from the start what the last video would be…my favorite Peter Gabriel song of all time, from my favorite PG tour…”Secret World” from its namesake tour!

Strangely, because it’s the last track on Peter Gabriel’s “Us” album and because I had originally purchased that album in cassette format, I never even listened to it until weeks after I bought the tape. And when I did finally listen, I never stopped. It’s an amazing song that is even more spectacular when seen performed live.

I love how the live version of this song builds up to the dramatic, high-energy bridge…only to come back down and build right up again before the very end of the song. As you can probably tell from the ending, this was the number that closed the regular part of the set back on the “Secret World Live” tour. PG and band would re-emerge from the dome a few minutes later for the encore, which usually included “In Your Eyes.”

You may be able to hear how “Secret World” influenced a song I originally wrote and recorded on my old, analog 4-track in 1995 called “The Greatest Love,” which I recorded in digital format on my Mac back in 2004. For comparison, you can listen to the 2004 version of “The Greatest Love” in the audio player below the video.

Peter Gabriel – “Secret World” (Secret World Live, 1994)

Brian Kelley – “The Greatest Love” (1995/2004)

24 years of Peter Gabriel fandom: “Solsbury Hill” (2003)

Well, so far on this journey through my 24 years of Peter Gabriel fandom, I haven’t posted anything really all that mainstream…no “Shock the Monkey”, “Sledgehammer”, “Steam” or “In Your Eyes”.  It’s not that I’m not a fan of those songs…in fact, the live version of “Sledgehammer” is always awesome. But I have wanted to explore some of the deeper tracks from the PG catalog this week. However, after much internal debate about what video from 2003’s “Growing Up Live” tour (during which I saw PG three times…one night at the Meadowlands, the next night in Philly and then the following year at the PNC Bank Arts Center in Holmdel, NJ), I decided to go with something a little more well known…”Solsbury Hill.”

Thanks to its use in films like “Vanilla Sky” and others, “Solsbury Hill” — a track from Peter Gabriel’s first self-titled solo album in 1977 — has eventually become somewhat popular. What many people may not realize is that the song is about Gabriel’s departure as lead singer of Genesis in 1975.

And really…how could I not include a PG performance that has him riding a bike on stage…

Peter Gabriel – “Solsbury Hill” (Growing Up Live, 2003)

24 years of Peter Gabriel fandom: “Come Talk to Me” (1994)

Here is part 3 of this week’s 5-part series of Peter Gabriel videos marking my 24th year as a PG fan. One of the great concert events of the 1990s was Peter Gabriel’s “Secret World Live” tour (1993-94) in support of his CD, “Us.” Today’s video is the set-opening “Come Talk to Me” from that tour, featuring a then-unknown Paula Cole, who was still about two years away from success with her album “This Fire” (with “Where Have All the Cowboys Gone” and “I Don’t Want to Wait”). PG gave Cole her big break when he hired her to fill the female vocalist spot for this tour.

Peter Gabriel – “Come Talk to Me” (Secret World Live, 1994)

24 years of Peter Gabriel fandom: “No Self Control” (7/20/87)

Well, today officially marks my 24th anniversary as a Peter Gabriel fan and I have decided that my PG video posts this week shall be a chronological journey of my fandom. Yesterday’s video was of PG’s performance of “Biko” the first time I ever saw him live, at the Amnesty International concert at Giants Stadium on June 15, 1986. Today’s video is from the first actual Peter Gabriel concert I ever attended — July 20, 1987, at the Spectrum in Philadelphia. The video quality isn’t all that great, but the mere fact that this footage exists — and on YouTube (thanks to YouTube user Magog64) — is amazing. Here is one of my all-time favorite PG songs, “No Self Control”…and if you ever have time to kill, you should check out all the videos from this show…just incredible stuff.

Peter Gabriel – “No Self Control” (Spectrum, Philadelphia, PA, 7/20/87)

24 years of Peter Gabriel fandom

So I was driving home from a meeting the other day, listening to XM Radio when Peter Gabriel’s “Biko” came on. I hadn’t really listened to the song in quite some time, but I thought it was an appropriate lesson in recent South African history with the World Cup currently being staged there.

While listening, it reminded me of my greatest, personal musical memory. Back on June 15, 1986, my sister and I were in the sold-out crowd at Giants Stadium for the final show of the Amnesty International Conspiracy of Hope Tour. It was an amazing day and night of music that allowed me the opportunity to see the genius that was Miles Davis perform live. Last night, while watching the Tony Awards and hearing so much about the musical “Fela,” it reminded me that I also saw the late, great Fela Kuti perform that day.

Anyway, back to “Biko” and Peter Gabriel. It was the powerful, chilling performance of “Biko” during that show that turned me into a huge Peter Gabriel fan. It also made me truly understand the power of a great song and a great artist.

So, in honor of my 24 years as a Peter Gabriel fan, I will be posting one PG video per day on the ol’ blog here this week. I’ll start it off tonight with the video of his performance of “Biko” at the Amnesty show on June 15, 1986, and continue adding one each day through this coming Friday.

Enjoy!

Peter Gabriel – “Biko” (Amnesty Int’l Conspiracy of Hope, Giants Stadium, 6/15/86)

A night with Coco!

This past Monday night, my wife and I went to the Tower Theater in Upper Darby, Pa., for Conan O’Brien’s “Legally Prohibited from Being Funny on Television” tour. I love Conan O’Brien and never got the chance to see a taping of his show when he was based in New York and figured if there was any bright side to the whole “Tonight Show” debacle of 2010, it was that this tour would give me the chance to see him live.

But I didn’t really know what to expect. YouTube videos and stories about the tour seemed promising, but I still wasn’t sure how Conan would be outside the context of a television show format. I just knew I wanted to support him during this time of transition.

At the start of the show, Conan told the audience that it was the first time people ever paid to watch him perform (while referencing the fact that people have paid him to go away) and he had set a goal of making the prices we paid for tickets “sort of worth it.” Well, after the show was over, I determined that I may have underpaid for my tickets. Conan and Company were absolutely freakin’ amazing…and it was the best live entertainment event I have ever attended…by far!

Here are just a few notes from the evening:

  • I always knew his band was awesome…but they could pretty much blow any band out of the water.
  • Conan came out wearing a Flyers jersey and soon did a quick impersonation that seemed to be of a certain, unfunny, backstabbing late-night talk show host. But apparently we were mistaken, as Conan explained: “Now, that is not who you think it is…that’s actually my impression of the rapper Ludacris…I hope you all have my back on that one in court.”
  • Andy Richter did a live commercial for a 5-pound Tony Luke’s cheese steak that ended with: “And don’t forget, we also sell 2- and 3-pound cheese steaks…for pussies!”
  • TRIUMPH! It was via video, but the Insult Comic Dog did a bit that included the classic “insert audio of city name, famous restaurant/landmark here” joke, which was hysterical. For instance, “I know everything about the state of [PENNSYLVANIA]…the state animal is [ALLEN IVERSON].”
  • TINA FEY! I kept telling Alison that I thought she would show up since the show was in her hometown, and I was so happy to be right. As soon as he brought out what is now called the Chuck Norris Rural Policeman Handle for legal reasons (on “Late Night,” Conan used to pull this lever and a random clip from the old TV series “Walker, Texas Ranger” would play…with hysterical results) — and said they would need some help, I knew he was going to bring out Tina. And then when he said “the funniest woman on the planet,” Alison and I just looked at each other and started going nuts.
  • OK, and for the finale…during Conan’s final song of the encore, we see him go out into the crowd and I thought to myself, “Damn! I wish I had splurged for orchestra seats” since we were in the first row of the lower balcony. About 20 seconds later, CONAN O’BRIEN WAS STANDING RIGHT NEXT TO US! He ran up to the freakin’ balcony, high-fiving people…I just missed being able to pat him on the back (I came up about 5 inches short). The seats across the aisle from us were empty and there was short wall in front of the first row so he climbed up and stood on top of that, prompting cheers from the crowd. I was too stunned to get my phone’s camera going in time so I lost my chance at an awesome picture.

It was just an amazing night of comedy and music…and Conan proved once again that he has more talent in his floppy red hair than in all of that hack who is still doing Bill Clinton jokes at 11:35. In fact, I will say that Conan O’Brien may be the best entertainer of his generation.

Anyway, here are some videos that members of Monday night’s audience have uploaded to YouTube (and, yes, there is some adult language in these clips)…enjoy:

Conan’s Intro Video


P.S. The song Conan walks out on stage to is “Army” by Ben Folds Five…another element of the sheer awesomeness of the night.

Conan Explains Bringing the Tour to Upper Darby

Conan Talks About His Beard and Making That Night’s Show “Sort of Worth It”

Andy Richter’s Commercial for Tony Luke’s 5-lb. Cheese Steak

Conan Presents the “Bat Out of Hell” Inflatable Bat

Triumph the Insult Comic Dog Talks About [PHILADELPHIA]

Tina Fey Returns Home to Pull the “Chuck Norris Rural Policeman Handle”

Conan Sings “I Will Survive”

Why I could never be a real songwriter…

With my May 22 wedding date fast approaching and spare time at a minimum these days, I decided to take advantage of some personal time yesterday and spent a couple of hours with my keyboard and MacBook to see if I could get the creative juices flowing again.

I am a big fan of the group Keane and love their new single “Stop for a Minute” (featuring K’naan). Since that song has been in my head lately, the song I tried writing yesterday started off with a Keane-like feel. However, what transpired over the next couple of hours showed why I could never be a real songwriter.

The song started with a simple piano part and a lyrical hook of “hit the ground running” immediately popped into my mind…so that became the working title. The rest of the foundation came quite easily — especially since I borrowed some bits from some aborted musical ideas from my past — and it did actually have a bit of that Keane flavor to it.

But then I decided to add a drum intro and it wound up being a nod to the intro to the song “Hold On” by Yes…so that introduced bit of my prog-rock influences.

And then I thought, “You know what? This needs horns.” So that brought my Phil Collins influence into the mix.

Finally, and this is really my big weakness as a songwriter/arranger, I decided to add some strings…because most of my songs inevitably end up with strings to cover up my lack of skill as a keyboard player.

And guess what my simple, little Keane-like pop tune ended up sounding like…the theme song to an action TV series from the 80s. Just take a listen and tell me you don’t envision cheesy title cards and graphics over actors and actresses with big hair and poofy clothes with forced smiles in ridiculous situations.

I really need to learn how to self-edit.

Hit the Ground Running (4:43)

I sing Todd Rundgren’s “I Saw the Light”

Here is a short video of my first time ever doing karaoke…this took place at the Hotel Jonas in Jonas, Pa., on April 16, 2010 — the first night of my bachelor party weekend, which included a whitewater rafting trip near Jim Thorpe, Pa. This bar just happened to be down the road from the house we rented that weekend. I wasn’t going to do it, but I found this song — one of my favorites — in the catalog and I had six beers and two shots in me that night…so I wasn’t thinking very clearly. I think I did OK, though.

BK sings Todd Rundgren’s “I Saw the Light”

Ben Folds w/ Kate Miller-Heidke @ Wellmont Theatre in Montclair, NJ, 4/9/10

Ben Folds performs in Montclair, NJ, on 4/9/10
Ben Folds performs in Montclair, NJ, on 4/9/10 (Photo taken with Blackberry by B. Kelley)

Wow! It’s been a long time between posts here on the ol’ blog, but I’m taking the time to put a quick one up here to talk about yet another personal Ben Folds live show experience for me.

This time, Alison and I went to see Ben Folds perform solo — just “Ben Folds and a Piano” (as the tour is known) — at the Wellmont Theatre in Montclair, NJ. As I found out during this show, Ben Folds apparently lived in Upper Montclair for a brief period several years ago, so there was some reminiscing on Ben’s part and then a weird moment when somebody from our row — we were three rows from the stage — started having a conversation with Ben about somebody he knew from his short time living in the area.

It was my first time at the Wellmont and I must say it’s a nice venue…and the sound was great from the third row. We bought ourselves a couple of drinks in the lobby and I was concerned we’d have to down them before heading to our seats, but the orchestra seating area actually has at least a couple of bars toward the back and the seats are all individual chairs on a hard floor so I guess they’re not concerned with spillage like more traditional theater venues.

Anyway, onto the show itself…the opener was a fantastic Australian singer-songwriter named Kate Miller-Heidke, who performed with her musical partner/husband Keir Nuttall on acoustic guitar. KMH, as I’ll call her, showed off her amazing voice in her first number, “Our Song,” a beautiful track from her 2008 CD Curiouser (iTunes link). But she followed that up with very intelligent, witty and profanity-laced pop songs that were catchy, funny and amazing. The best moment was when KMH moved over to piano and performed her “Are You F*cking Kidding Me?” — which really should have the parenthetical subtitle (“The Facebook Song”). It is a cleverly written track describing her reaction to receiving a Facebook friend request from an ex. Fortunately, for those of us in the U.S., the American release of Curiouser includes a live version of the song as a bonus track. If you like beautifully sung, intelligent, mature pop music that ranges from heart-wrenching (“The Last Day on Earth”) to hysterical (“God’s Gift to Women”), then definitely check out KMH.

As for Ben Folds…well, he was brilliant as usual. Unfortunately, I spent most of the first song getting up and down to make room for people moving in and out of our row because some freakin’ kids sitting in the row behind us — without tickets for those seats — thought they could just direct people who had those tickets to sit in the row in front of them — our row — without there being any consequences. Of course, when people showed up to sit in those seats as Ben started playing, all hell broke loose in our row. At one point, I just yelled out “This is ridiculous.” One couple responded that it wasn’t their fault because the kids were in their seats in the row behind us. I replied loudly, “Don’t worry. I know (and turning to the row behind us)…it’s all their fault because they don’t know how to read a freakin’ ticket!” At that point, the kids took their sense of entitlement and finally went to their proper seats and order was restored.

From that point on, though, the show was great…Ben talked about seeing a video by Insane Clown Posse that was going to stick with him forever. He then tried to play his song, “Sentimental Guy,” but kept cracking up at the thought of the Insane Clown Posse video and couldn’t even get through the first verse of the song. After three or four attempts, he just moved on to another song (near the end of the show, Ben finally got around to getting through “Sentimental Guy”).

Unfortunately, Ben didn’t play “Zak and Sara,” which is a personal favorite (I also found this odd because one of the t-shirts being sold at the merch table featured an illustration inspired by “Zak and Sara”). However, he did play old favorites like “Kate”, “Emaline” (after someone yelled it out from the audience), “Narcolepsy”, “One Angry Dwarf” and the always-amazing “Philosophy”…so that made up for it.

Oh, actually, there was one more encounter with the “Entitlement Kids”…right after the show ended and people started heading to the exits, a couple of the kids who were sitting in the wrong seats came back to reunite with their friends who did have tickets for seats in the row behind us. One girl decided to walk on the seats and spill some of her drink on me as she went by. I was all set to lecture the kids, but was led out of the theater by Alison to avoid any conflict.

But it was a great night of music overall. Ben was his typical outstanding self and KMH was a fantastic musical discovery.