An update on my herniated disc/leg issues, a recap of my performance in the inaugural Crest Best Run Fest 10-Miler, and some other odds and ends. Read on for the details… Continue reading
Anyway, we worked at what is now a long-gone Pizza Hut in Point Pleasant, N.J. It was summer 1988 — in between my junior and senior years of high school — and the older sister of one of my classmates got a summer job as a cook/server/hostess with us. I had known her brother for years and knew her a bit, and never would have imagined her wanting anything to do with my overtly racist, sexist co-worker. But they wound up hooking up that summer.
Of course, she went back to college in the fall and since our business dropped like a stone when the summer tourists left, that left a lot of downtime for my co-worker and I to talk. And, for the first time, he sounded human. He really did care for her.
Shortly after she returned to college, my co-worker went to visit her. He expressed to her how he wish they had more time together, and — this is what he told me — she said to him, “Well…time just takes over.” And, at that, she suggested to him they just stay friends.
So, that’s the story behind this song. And it’s weird that one of the most stoic people I have ever known opened up his heart to me and inspired what I think is a pretty emotional song.
Anyway, the following summer he hooked up with another summer Pizza Hut employee and wound up marrying her (even though my classmate’s sister also came back to work with us that summer…which was awkward). I’ve Googled the guy in the past — and just did before posting this — and it appears he’s living in central New Jersey and married to the woman he met at Pizza Hut in 1989. But I haven’t seen him since the early 90s…well, except for one time when I drove by him when he was a cop in a Jersey Shore town a few years later.
Regarding the song itself, most of the instrumentation you hear on this track is from a cassette of the original instrumental demo I recorded in October 1988 using sounds from my old Roland U-20 synthesizer. It wasn’t until a year or so later that I got around to recording the vocals, but by then the arrangement had changed a bit (so I spliced and rearranged this a bit to fit the finished version). I recently added the vocals, wind chimes/shaker track and augmented piano/bass parts to this version, so I would have a complete recording of the original version in time for the song’s 30th anniversary in October.
Now, obviously, this milestone means nothing to anyone but me. My music career went nowhere, and I’m not really a musician anymore except for when my friend Christian Beach* needs me to be one or when I’m inspired and motivated to compose/record something. But I’m still proud of this song. I’m not sure how many 17-year olds were writing songs like this in 1988, but it couldn’t have been many. I mean, at its base, it really is a bubble-gum song about young love that is ultimately unrequited. But it sounds and feels so much bigger than that.
*Speaking of Christian, during our time in a band together from 1989-91, we actually played “Time Takes Over” in one of our live shows. Here is video of that performance (from 1990?), which features my trying — and mostly failing — to sing with a terrible head cold.
And here is the most recent update of “Time Takes Over.” I recorded this version in 2016.
A compilation of some of my favorite songs celebrating Christmas and the holiday season, in general. The playlist starts with the latest “demo” version of a Christmas song I originally wrote in 2011, “It’s Christmas Time Again.” Enjoy…
- “It’s Christmas Time Again” – Brian Kelley
- “Christmas (Baby Please Come Home)” – Darlene Love
- “Christmas Time is Here” – Vince Guaraldi Trio
- “Happy Christmas (War is Over)” – John Lennon
- “Thanks for Christmas” – Three Wise Men (aka XTC)
- “The Closing of the Year” – Wendy & Lisa
- “Fairytale of New York” – The Pogues featuring Kirsty MacColl
- “Do They Know it’s Christmas?” – Band Aid (1984)
- “3 Ships” – Jon Anderson
- “This is Christmas” – Curt Smith
- “Never Gonna Be Alone on Christmas” – Work Drugs
- “Holiday Face” – Dent May
- “Christmas Must Be Tonight” – Christian Beach (The Band cover)
- “Holiday” – Mike Doughty with Rosanne Cash
- “Little Drummer Boy” – Nicole Atkins
- “Skating” – Vince Guaraldi Trio
- “Matches for Sale/Say What?” – GrooveLily
If you listen to the Technology and the Arts podcast I do with John LeMasney, then you will know that I’ve mentioned 99% Invisible, a fantastic podcast and public radio program about design and architecture hosted by Roman Mars, a few times this past season.
While season 4 of the 99% Invisible podcast has been successfully funded through Kickstarter, the fundraising effort is currently into its “stretch goal” phase. One such stretch goal comes from one of the podcast’s sponsors, MailChimp, which has put up a challenge grant of $20,000 should the podcast reach 10,000 backers on Kickstarter. As I type this, they are at 7,383 with 13 days to go.
If you are interested in stories about design and architecture told in fascinatingly interesting ways and are unfamiliar with 99% Invisible, go the podcast’s web site right now and listen to a few episodes. I am sure you will find it as entertaining and informative as I do…and if that should encourage you to help 99% Invisible reach this stretch goal, just go to the podcast’s Kickstarter page and pledge as little as $1. Just a buck and you will be counted as a backer toward the stretch goal of 10,000.
When I was a teenager in the late 1980s and still had dreams of becoming a professional songwriter/musician, I wrote and recorded a song I called “Time Takes Over” in October 1988. It was probably the first complete song (with words and music) I ever wrote.
The subject matter was based on sentiments expressed by a former co-worker of mine who was describing how he visited a girl at college after having a summer fling with her. He thought it was more than that, but she didn’t see it that way. Anyway, that was the basis of the lyrics, which—for the first time in my musical life—flowed out practically simultaneously with the music.
The original 1988 version below, written when I was 17, does not include the vocals, but you will hear them later on in this post in other forms. Please note that I transferred this from an old cassette tape so that accounts for the audio artifacts.
In 1989/1990, I was in an ill-fated techno-rap outfit called TMC+The New Generation and—after a few arrangement tweaks by my friend and then-bandmate Christian Beach—we performed “Time Takes Over” during a very poorly structured live show at the ol’ Green Parrot Rock Club in Neptune, N.J., which you can see below.
Finally, a few years ago, I recorded an updated version in GarageBand on my MacBook that includes vocals. In 2012, I re-recorded the vocals and made some additional tweaks. That is the version you can hear below. Enjoy.
Thanks to my wife for allowing me to get a night to myself, I was able to go down to Philly to see the legendary Midge Ure, backed by Los Angeles-based band Right the Stars (who also served as opening act), perform at World Cafe Live last night.
What an amazing show and it was really special seeing an artist with such a lengthy pop/rock music pedigree performing in such an intimate venue. For those who don’t know, Midge Ure is best known as the lead singer and driving force behind the best-known iteration of 80s synth-pop heroes Ultravox and as the man who was essentially ordered by Bob Geldof to write what became “Do They Know It’s Christmas?”—the charity track recorded by Band Aid and produced by Ure in 1984.
However, Ure also spent time in groups like Visage, The Rich Kids, Thin Lizzy and Slik. He even reportedly turned down an invitation to become lead singer of the Sex Pistols in 1975. In short, the guy has been around for a long time and has done an awful lot with his immense talent.
This was only my second time seeing Ure in concert. The other time was when he opened for Howard Jones at what was then called the Garden State Arts Center in Holmdel, N.J., on June 16, 1989. But, damn…Midge still brings it.
The video above is Midge Ure—with Right the Stars—performing Ultravox’s classic 80s hit, “Vienna,” at World Cafe Live last night. The clip comes from YouTube user vwall10411, who I’ve turned to a lot for videos from Philly-area concerts, and there are a few more videos after the jump.
From Setlist.fm, here is the set list from last night’s show…
I See Hope in the Morning Light (missing on Setlist.fm)
Love’s Great Adventure (Ultravox)
Call of the Wild
Fade To Grey (Visage)
Cold Cold Heart
Answers To Nothing
Just For You
No Regrets (Tom Rush cover that was a No. 9 UK hit for Midge Ure in 1982)
One Small Day (Ultravox)
Dancing With Tears In My Eyes (Ultravox)
If I Was
Do They Know It’s Christmas?* (Band Aid, written by Midge Ure & Bob Geldof; produced by Midge Ure)
* – solo acoustic performance
I have been pretty obsessed with the electronic, instrumental music featured during the Opening Ceremony of the 2012 London Olympic Games, especially the brilliant “And I Will Kiss” by Underworld (see video below), and it has rekindled my interest in the genre.
Back in the early 1990s, when I was part of a techno-industrial-rap project with my friend Christian Beach, we wrote something that I believe we were calling “Why Can’t We Live as One?” at the time. The original intent was to have rap vocals accompany the music, but what we got around to recording actually provides the foundation for a pretty cool instrumental track.
Anyway, here is the original instrumental version of “Why Can’t We Live as One?”[audio http://tandemwiththerandom.com/misc/music/WhyCantWeLiveAsOne-Original.mp3]
And below is a new version of the track that I recorded last weekend with GarageBand on my Mac…
And here is the reason for my renewed interest in electronic, instrumental music…all 17 minutes, 16 seconds of it…