Back in training…

Phillies 5K logoWell, I am officially in training mode…I’ve registered for the Phillies’ 2nd annual 5k race scheduled for March 31.

After losing about 35 pounds in 2006 and running quite regularly, I ran in a 5K at Mercer County (N.J.) Park and finished in 27 min., 54 sec. I had two goals going in: 1) don’t die of a heart attack, and 2) if I don’t die, finish in less than 30 minutes…so I was happy I succeeded on both fronts.

However, shortly thereafter, I lost my way and began regaining the weight I had lost. I wound up gaining 20 pounds back within the next year and had stayed right around there ever since…or so I thought. I hadn’t weighed myself in months (and, of course, I’m well overdue for a checkup) and quite recently discovered I was hovering right around where I was before I dropped all the weight in ’06.

So I have been working out more regularly and have started running again in order to get back into shape. When I saw someone tweet about registering for this year’s Phillies 5K, I jumped at the chance since last year’s inaugural event sold out in 24 hours. Well, it’s a good thing I acted quickly the other day because registration for this year’s race is now closed.

This means I’ll be posting updates here as I train for the 5K and work on shedding the pounds. Again, I have two goals: 1) finish the Phillies 5K in less than 30 minutes, and 2) lose 40 pounds from where I was a couple of weeks ago.

I’ve already lost about five pounds since I started working out again, but I really need to do a better job of tracking what I’m eating — something I did pretty well back in 2006. I ran 1.6 miles today in about 16 minutes (I stupidly never hit the button on my iPod nano to start the Nike+ workout, so I wasn’t able to track the run).

I did complete a 3.2-mile run in 34 min., 18 sec. the other day, though. While it was good to get in a 5K-distance run, it was disappointing to see how far the drop-off has been in my performance. But I’m also seeing it as a great challenge.

When I lost 35 pounds in 2006, I actually wound up five pounds short of my goal back then. I will not let that happen again.

A return to podcasting…want to get interviewed?

I am taking this opportunity to announce two things: 1) the relocation of my new personal blog to this URL, and 2) my return to the world of podcasting…and with that second item, I’m asking readers of this blog to take part in this new venture as guests on the new podcast.

If you have something to promote and want to talk about it, I’m going to be launching an interview-based podcast before the end of the year and would like to start recording some interviews ahead of that launch. Just send me an e-mail at bktandem(at)gmail(dot)com and we can try to set something up in person or via Skype or phone.

The new podcast will be called Tandem With The Random (soon to be found at the URL of my former personal blog) and I’m envisioning short biweekly installments in the 15-20 minute range. The format will feature some personal banter/observations in the opening minutes before shifting to an interview segment of about 10-15 minutes. Short and sweet…and, hopefully, easy to record, edit and post online.

As some of you may know, I was the co-host and main editor of a modest, little podcast called Technology and the Arts with my friend John LeMasney from December 2006 through December 2008. Even though the podcast never gained a large audience, we were able to grab some big-time guests like Pandora founder Tim Westergren, who talked to us twice in 2007 and appeared on this year’s Time 100 list, and famed rock ‘n’ roll producer/engineer and photographer Eddie Kramer, known for his work with Jimi Hendrix, The Beatles and Rolling Stones, among other rock legends.

We ended that podcast because we were finding it more and more difficult to continue a routine schedule of recording, editing and posting…despite the fact that we enjoyed talking about two of our favorite topics — technology and art — and sharing that information with the listeners we had.

However, I’ve missed being able to talk about things I enjoy and would like to see succeed…and I feel a need to do something creative again. So I’m going to give podcasting another try. Just let me know if you want to talk and be a part of it.

Thanks,
BK

Another reworked song from my past…”Domination”

Back in the summer of 1989, my friend Christian Beach and I were in a misguided — but well-intentioned — synthesizer-based rap outfit called TMC+The New Generation that was the brainchild of a rapper from Asbury Park, NJ. I’ve often described this band as something like Depeche Mode-meets-Run DMC…but not in a good way.

Of course, this wasn’t for a lack of trying — or a lack of talent. We were just too young to know any better. I had just graduated from high school and Christian was still there. But even back then, it was easy to see a ton of musical talent in Christian that just needed time to fully develop (and today he is a really talented singer/songwriter/multi-instrumentalist).

Anyway, that summer of 1989 was probably our most productive time writing songs for TMC. One of those songs was called “Domination.” The night before a rehearsal, I had written most — if not all — of the lyrics for the track and told Christian about it. He then said he had been playing around with a synth-bass line that fit the lyrics I had written perfectly.

As we often did, once we got the foundation and structure of a song together, we would record a rough live version of it so we could listen to it away from rehearsals and think of ways to improve the song. Fortunately, that means a copy of an early version of the song exists, which you can listen to below.

A year or so ago, I was listening to the original version of “Domination” and thought about reworking it a bit and making it a bit more modern. But the 80s techno quality is really a big part of the song so I wasn’t sure how to go about it.

Well, during the past month or so, I’ve been slowly but surely finding bits of time here and there to work on a new version and now feel ready to present what is sort of a “Domination 2.0″…with the possibility of subsequent “Domination 2.x” revisions or perhaps even a “Domination 3.x” to follow that.

So, for your listening pleasure, here is the original recording (with some vocals added recently for improved vocal depth) followed by the 2010 version of “Domination.” Enjoy.

Domination (Original w/ 2010 vocal overlay)

Domination (2010)

By the way, that female-sounding vocal in the 2010 version is actually me. I used the “male-to-female” vocal transformer effect in GarageBand to do that. I did it as a joke at first, but I liked the contrast in the vocal quality (even though it’s not the cleanest of effects) so I kept it in.

Oh, for one more treat, below is a video of us performing “Domination” at the long-defunct Green Parrot in Neptune, NJ…this is chock full of my forgetting lyrics in the first verse, stepping on and pulling out the microphone cord and — by mid-song — just wanting the song to end so I could return to the relative safety behind my keyboards. And all of that doesn’t even mention my hair, which was a complete disaster on its own.

24 years of Peter Gabriel fandom: “Secret World” (1994)

So here we are…the fifth and final installment of my Peter Gabriel video series this week, marking my 24th anniversary as a fan of PG. This is sort of a wild card for me as I didn’t get to see PG on his recent “New Blood” tour in support of his orchestral covers CD, “Scratch My Back,” and that would have been the next progression in the sequence of live videos. However, I wanted this week to kind of recapture the joy I have experienced during PG’s live shows over the years. Since I didn’t see the “New Blood” tour, I’m basically picking today’s video out of a hat.

Well, that’s not entirely true because I knew right from the start what the last video would be…my favorite Peter Gabriel song of all time, from my favorite PG tour…”Secret World” from its namesake tour!

Strangely, because it’s the last track on Peter Gabriel’s “Us” album and because I had originally purchased that album in cassette format, I never even listened to it until weeks after I bought the tape. And when I did finally listen, I never stopped. It’s an amazing song that is even more spectacular when seen performed live.

I love how the live version of this song builds up to the dramatic, high-energy bridge…only to come back down and build right up again before the very end of the song. As you can probably tell from the ending, this was the number that closed the regular part of the set back on the “Secret World Live” tour. PG and band would re-emerge from the dome a few minutes later for the encore, which usually included “In Your Eyes.”

You may be able to hear how “Secret World” influenced a song I originally wrote and recorded on my old, analog 4-track in 1995 called “The Greatest Love,” which I recorded in digital format on my Mac back in 2004. For comparison, you can listen to the 2004 version of “The Greatest Love” in the audio player below the video.

Peter Gabriel – “Secret World” (Secret World Live, 1994)

Brian Kelley – “The Greatest Love” (1995/2004)

Why I could never be a real songwriter…

With my May 22 wedding date fast approaching and spare time at a minimum these days, I decided to take advantage of some personal time yesterday and spent a couple of hours with my keyboard and MacBook to see if I could get the creative juices flowing again.

I am a big fan of the group Keane and love their new single “Stop for a Minute” (featuring K’naan). Since that song has been in my head lately, the song I tried writing yesterday started off with a Keane-like feel. However, what transpired over the next couple of hours showed why I could never be a real songwriter.

The song started with a simple piano part and a lyrical hook of “hit the ground running” immediately popped into my mind…so that became the working title. The rest of the foundation came quite easily — especially since I borrowed some bits from some aborted musical ideas from my past — and it did actually have a bit of that Keane flavor to it.

But then I decided to add a drum intro and it wound up being a nod to the intro to the song “Hold On” by Yes…so that introduced bit of my prog-rock influences.

And then I thought, “You know what? This needs horns.” So that brought my Phil Collins influence into the mix.

Finally, and this is really my big weakness as a songwriter/arranger, I decided to add some strings…because most of my songs inevitably end up with strings to cover up my lack of skill as a keyboard player.

And guess what my simple, little Keane-like pop tune ended up sounding like…the theme song to an action TV series from the 80s. Just take a listen and tell me you don’t envision cheesy title cards and graphics over actors and actresses with big hair and poofy clothes with forced smiles in ridiculous situations.

I really need to learn how to self-edit.

Hit the Ground Running (4:43)

I sing Todd Rundgren’s “I Saw the Light”

Here is a short video of my first time ever doing karaoke…this took place at the Hotel Jonas in Jonas, Pa., on April 16, 2010 — the first night of my bachelor party weekend, which included a whitewater rafting trip near Jim Thorpe, Pa. This bar just happened to be down the road from the house we rented that weekend. I wasn’t going to do it, but I found this song — one of my favorites — in the catalog and I had six beers and two shots in me that night…so I wasn’t thinking very clearly. I think I did OK, though.

BK sings Todd Rundgren’s “I Saw the Light”

New song: “Alliel”

Back in November 2007, more than a year into my relationship with my now-fiancee, Alison, I had recorded an early, instrumental version of a song for her. I had worked out some lyrics for the choruses and the first verse, but that was it.

Because Elvis Costello wrote the ultimate song called “Alison” — a song my Alison can’t stand, by the way — I just couldn’t bring myself to call it that. Hence, I constructed the name “Alliel” by combining my fiancee’s first name and her last initial. My Alison only spells her name with one l, but “Alliel” looks better than “Aliel” so I added the extra l into the song title.

Anyway, a few days ago, Alison went to a baby shower, leaving me home alone to clean and do some things around the house. Instead, I fired up GarageBand on my MacBook, finished writing the lyrics, changed/added some of the piano parts from the 2007 demo and recorded a more finished demo version of “Alliel.”

I realize my voice isn’t the greatest, but once I start recording vocals, I seem to always find myself trying to do some interesting things with harmonies. And then I added the “big vocals” at the end of the song, which was inspired by a Trevor Rabin (former Yes guitarist who does a lot of composing for films these days) solo album from the late 80s.

Anyway, I posted the song on my TalentTrove.com profile, but you can also listen to it below:

“Alliel” (4:43)
Written, arranged and performed by Brian Kelley

Revisiting my musical past: “Don’t Lose The Groove”

You might recall that a couple of months ago, I entered a “best piano/keyboard performance” contest on a web site called TalentTrove.com. I came in second place by one or two votes, mostly because the rules said one date was the final day of voting while the voting system itself was set to end 2 1/2 days earlier.

Anyway, despite that experience, I have entered another TalentTrove.com contest…this time for music considered “electronica.”

Now, even when I was into mostly synthesizers, sequencers, samplers and drum machines, I never really considered myself in the genre of “electronica.” I always thought of myself as pop, techno or — in the early 90s — industrial.

And techno-industrial is what I want to talk about right now. As I have written many times before on this blog, my friend Christian Beach and I have worked together musically — on and off — since 1986 or ’87, I guess.  While we were in the ill-fated band TMC & The New Generation (a techno/pop/rap  project that I like to describe as “Run DMC meets Depeche Mode”), Christian and I started listening to music generally classified as industrial or — in some cases — cyberpunk. In any case, we really started to get into Ministry, Front 242, Nine Inch Nails, and Nitzer Ebb, among others. Hence, our writing started getting heavier and our songs became angrier and full of more samples. At this point, we convinced our rapper that we needed a name change and we began calling ourselves Interläken Probe, which borrowed from the name of the town to the west of Allenhurst, NJ, as well as the model of car I was driving at the time (a Ford Probe). The “ä” was used to make it look European.

Anyway, one of the last things we worked on as Interläken Probe was a song called “Don’t Lose The Groove.” The phrase had been mentioned during the recording of another song, but it had always stuck with me. When I was trying to come up with lyrics for “Groove,” I thought the phrase fit pretty well in the chorus. In the context of the song, it referred to the idea of the human race all flowing with the groove, and that each of us does our part to screw everything up by losing the groove every now and then (some more than others, of course)…kind of like a record skipping when a needle loses the groove.

Anyway, despite promoting world peace and unity, the song was kind of angry and full of somewhat violent samples. Here is the original rough mix of “Don’t Lose The Groove” that Christian and I recorded around 1990.

OK…back to the present. While thinking about the TalentTrove.com electronica contest, I decided to update one of my old techno songs and submit that for the competition. But which one?

Well, that answer came to me when I stumbled upon “Don’t Lose The Groove” on my iPod. I decided to rerecord “Groove” into GarageBand on my MacBook and bring it a little up to date.

First, I tamed it by removing the samples. While keeping touches of its industrial origins, I made it a more of a dance track. I tried to actually sing the lyrics instead of screaming them like I did in the original. But it just sounded better when I screamed them…although the newer version features more restrained and refined vocals than the original.

Anyway, you can hear “Don’t Lose The Groove (2009)” below.

Another gig this weekend…

Christian Beach @ Twisted Tree Cafe
Christian Beach @ Twisted Tree Cafe

I will be playing accordion for my good friend, singer-songwriter Christian Beach, when he performs at Twisted Tree Cafe in Asbury Park, NJ, on Friday, June 19, at 9:45 p.m. The performance is part of the annual Wave Gathering Festival, which features more than 175 artists appearing at more than two dozen venues throughout Asbury Park.

Gorgo (mandolin) and Agency‘s Michael Scotto (percussion) will also be taking part in the ensemble.

So if you are in the area, please stop by and take in some great local music.