As I posted yesterday, I recently learned of an online talent community called TalentTrove.com, which holds a series of talent contests among its members. The site just finished accepting submissions for Best Piano/Keyboard Performance and I managed to submit a reworked techno song from my past called “Vortex.” It’s not really what I am into these days, but of all the songs I have written and recorded over the years, “Vortex” seemed to best capture the spirit of this particular contest.
Anyway, I am happy to report that “Vortex” is indeed one of four nominees for Best Piano/Keyboard Performance on TalentTrove.com.
I would love for my friends to support me in this endeavor, especially since the prize is $100. However, in order to vote, you need to be a member of TalentTrove.com, so there is a level of commitment involved.
But since so many of my friends are talented artists who could probably benefit from the tools provided by TalentTrove.com, such as media uploads and social networking features, I think you might wind up enjoying the site.
In any case, I really hope you enjoy the song. If you go the extra step to vote for me, I want you to know your efforts will be greatly appreciated.
And thank you to TalentTrove.com for this opportunity!
So I recently became aware of a great online community called TalentTrove.com, which I kind of think of as “Star Search 2.0.” Basically, it is one big talent search site featuring all the social networking tools you know and love (friends, messaging, forums, and — most recently — blogs).
What sets it apart from other social networking sites is that TalentTrove.com puts an emphasis on getting talented artists — spanning several disciplines (which I’ll get to later) — discovered by the rest of the community, as well as external audiences. This creates a network of friends all supporting each other’s creative endeavors. Through the daily “Stage of the Day” profile (profiles are referred to as “stages”…or a person’s “MyStage”) and the editor’s picks featured on the home page, the site promotes the talents of its own members to both the TalentTrove.com community and to external visitors.
In addition, there is TalentTrove.com Radio and TalentTrove.tv. TalentTrove Radio provides streaming audio of programs and music featuring the audio-based talent found on the site. TalentTrove.tv, meanwhile, provides channel-based navigation of the user-generated videos found on TalentTrove.com.
The site also has regular contests, such as Best Comedian, Best Cover Band, Best Singer, Best Guitar Solo, Best Drum Solo, etc., which are voted on by other members of the TT.com community (more on these later).
And getting back to what kind of talent is on TalentTrove.com…well, it’s probably easier to talk about what talents are NOT featured on TalentTrove.com, because almost any kind of talent imaginable is showcased on the site. Of course, you have your musicians, bands and singers. But you also have actors, comedians, writers, dancers, culinary artists, craftspeople…just go to TalentTrove.com and click on “categories” to see for yourself.
The site can also be used by people seeking an online portfolio, as TalentTrove.com accepts uploads in the form of audio, video, photos and text (and the upload process is pretty easy). Another great feature is that it allows you to copy videos you may have already uploaded to YouTube so you don’t have to go through the trouble of uploading the same video to your TalentTrove.com profile (or stage).
While TalentTrove.com is a relatively young company, it has received some pretty strong press and it appears to be gaining a devoted following.
OK, back to the talent contests. TalentTrove.com was recently seeking submissions for a Best Piano/Keyboard Peformance contest. Now, I know I’m not that great of a keyboard player, but there was this techno thing called “Vortex” I recorded back in the early 1990s that I thought would be my best option for the contest. Even though techno really isn’t my thing anymore, I felt it best represented a full keyboard peformance. Even though all of my songs are keyboard-based, I cover a lot of the crappy playing with fake strings and stuff that take the emphasis off the actual keyboard playing.
However, the only recorded version of “Vortex” I have was done on an old 4-track cassette recorder and the song is poorly mixed with a couple of audio glitches thrown in, as well.
So I decided to try to record the song entirely from scratch using GarageBand on my MacBook. I didn’t have much time to do this either, but I managed to remember how most of it went. I didn’t necessarily need it to be an exact copy of the original. I just wanted to capture the spirit and feel of the original song while updating it a bit. Unfortunately, a lot of the sounds on the original recording came from an old Roland Jupiter synthesizer I had for a few years. However, I sold it to Christian Beach’s former keyboard player in Slave of Id and Artists That Kill. That meant I was going to have to settle for the weak sounds included with GarageBand instead of the fat, warm Jupiter sounds featured on the original. But I still think it came out pretty well, considering I was trying to reconstruct a 17-year-old song while working under a tight deadline with little time to spare.
Anyway, I submitted “Vortex” to the TalentTrove.com contest. The finalists will be revealed tomorrow (Friday, May 29) at 10 a.m., but even if it’s not among the candidates, I am glad the contest inspired me to bring another old song of mine back to life.
You can listen to the new version of “Vortex” by going to its media page on my TalentTrove.com stage, or by using the embedded player below.
Like I said, this isn’t really my kind of music anymore, but let me know what you think.
Summer is around the corner and that means it’s almost time to enjoy multi-day music festivals here in the northeastern United States, especially here in New Jersey.
The biggest summer music festival in these parts is All Points West, which returns to Liberty State Park in Jersey City, N.J., from Friday, July 31, through Sunday, August 2, 2009. The second-annual APW festival features 65 artists on three stages, including the Beastie Boys, Vampire Weekend, Tool, Neko Case, the Ting Tings, MGMT, Echo & The Bunnymen, and Coldplay. A lot of great acts will be there (although I’m not a fan of Coldplay at all), but APW is very pricey. Three-day tickets for APW cost $199 + applicable fees (for a limited time, so that rate will go higher as the date gets closer) and single-day passes are $89 plus fees (again, for a limited time). However, I did read on the APW web site that tickets can be purchased in installments. Not sure if that was the case last year, but that is a nice option if you really want to go.
For the third consecutive year, I plan on attending WXPN’s XPoNential Music Festival at Wiggins Park on the waterfront in Camden, N.J. This year’s XPN festival takes place Friday, July 24, through Sunday, July 26, and features headlining acts like They Might Be Giants, Aimee Mann, Peter Bjorn & John, Robert Cray, Shemekia Copeland, Guster, and Steve Forbert on the main River Stage. In addition, many local and up-and-coming acts like Sarah Borges & The Broken Singles, Hoots & Hellmouth, John Gorka, and Wreckless Eric & Amy Rigby will be showcased on the Marina Stage.
And because WXPN is the home to the weeknight kids program, Kids Corner, there is also a Kids Corner stage away from the main festival area that will include family-friendly acts like Skip Dennenberg and Miss Amy on the Saturday and Sunday of the event.
What’s especially nice about the XPN festival is that, if you buy your tickets before July 11, you get nearly three days of music for just $40. And if you are a member of the station (based at the University of Pennsylvania), the cost is just $30 for the three-day pass…PLUS, you get access to the ever-popular “members only” area where you can get free water, iced tea and lemonade AND meet the artists performing at the festival. After July 11, the three-day ticket prices go up to $40 for XPN members and $60 for the general public. Still a bargain for such a great music festival, but there is no reason not to buy your passes at the early-bird rate.
If you are more into the club-hopping type of festival, Asbury Park, N.J., offers the fourth-annual Wave Gathering Festival from June 19-21. Although the schedule and artists have not yet been announced for this year’s Wave Gathering Festival, last year’s event featured more than 180 artists at 23 venues throughout the city…so that should give you an idea of what to expect. The Wave Gathering Festival has been a big part of Asbury Park’s recent rebirth as both a city and a local music scene, and has featured the likes of Ingrid Michaelson, Ben Arnold, Val Emmich and Nicole Atkins & The Sea.
Three-day passes for the Wave Gathering Festival are also a very affordable $40.00, while single-day passes are $25. You may also purchase admission to individual shows at prices set by the venue (and many of those are typically just $5 or $10).
There are many other music festivals going on in New Jersey during the coming months, but these should be a good starting point before you go looking for others.
Christian Beach CD Release Party - Click for PDF Flyer
As mentioned earlier on this blog, I will be part of the backing band for my good friend, singer-songwriter Christian Beach, when he takes to the stage at The Saint (601 Main St.) in Asbury Park, NJ, this Friday night as he celebrates the recent release of his self-titled, solo CD.
Joining in the festivities will be Arlan Feiles and The Lone Howdys, as well as The Sunday Blues. Doors open at 8 p.m. and tickets are just $10.
Christian’s band this time out includes John Pfeiffer (Well of Souls, In Between Dreams) on electric guitars, Michael Scotto (Agency) on drums and percussion, Gorgo (Private Sector) on mandolin and bass, Keith McCarthy (The Works, The Sunday Blues) on bass, and yours truly on organ, accordion and tambourine.
If you are in the area and are available that night, please feel free to come to the show. If you want to get a taste of Christian’s music, visit his new web site at ChristianBeach.net, or visit him on MySpace at http://www.myspace.com/christianbeach. Plus, he is now on Facebook and Twitter.
Mark your calendars for April 10…not only is it my wonderful girlfriend’s birthday, but my friend Christian Beach will be celebrating the recent release of his self-titled CD with a show at The Saint in Asbury Park, NJ.
I will once again be part of Christian’s backing band, helping out on organ and accordion, as he performs the entire 12-song CD in tracklist order. Christian will be hitting the stage around 10 p.m. and tickets are just $10.
If you are in the area and are available that night, please feel free to come to the show. If you want to get a taste of Christian’s music, visit his new web site at ChristianBeach.net, or visit him on MySpace at http://www.myspace.com/christianbeach.
Ben Folds performs “Fair” in Dallas, Texas, during an October 2008 performance (link).
Because Ben Folds was playing at the Electric Factory in Philadelphia last night, my girlfriend, Alison, and I basically celebrated Valentine’s Day on Friday night. We exchanged gifts, she made me dinner and I gave her flowers…you know…all that stuff.
But we had made reservations for an early evening dinner Saturday at Copper Bistro in the Northern Liberties section of Philly since it is close to where the Electric Factory is. We get to the front door of the restaurant and there is a greeter outside…and nobody in the restaurant. After asking if we had reservations, he informs us that a problem with the restaurant’s oven hood meant the place was full of smoke. However, the owner was good friends with the owner of a small art gallery across the street, so the Copper Bistro staff moved all the tables and chairs over to the gallery, which served as dining room for the night. It was very resourceful and it was nice to see area businesses working together, especially in these times.
And the food was pretty good overall. The desserts were a bit of a let down, but the coffee was good and that’s all that matters to me after a meal.
Anyway, after dinner, we headed to the Electric Factory. Now, I am not one of those people at concerts who are constantly taking pictures — mostly because my photos usually turn out awful. But I like to take a few just to post on the ol’ blog. You may notice, however, that there is no photo to go along with this blog entry. I will explain that in a bit.
Knowing that I have received some pretty serious pat-downs upon entering the Electric Factory, I gave Alison my camera and my Flip camcorder to put in the bottom of her purse. In the past, it always seemed that women breezed through the security check while I was getting scrutinized for the various contact lens solutions I always carry around with me. This time, it was different…they didn’t even touch me, but they were going through all the women’s bags. Fortunately, Alison got through without the staff confiscating either camera.
However, they must have confiscated a lot because an announcement was made just before the night’s opening act, Miniature Tigers, took the stage that told people where to pick up their cameras before leaving.
So I wasn’t even going to attempt to take out my digital camera or the Flip. But I figured it wouldn’t hurt if I attempted to get one or two pics of Ben with my Blackberry.
Ben Folds and his band — now a five-musician unit — hit the stage around 10 p.m. and opened with “Fair” (see video of October 2008 performance above) from the Ben Folds Five CD “Whatever and Ever Amen”…a song I love that I haven’t heard Ben play live in quite some time. About a minute into the song, I noticed that everybody around me had their camera out taking pictures, including a few who were using flashes. Because I know any pic I take with the Blackberry is going to be crappy without using the flash, I figured I would try to take the photo and try to blend in with the 50 people or so around me who are taking pictures.
I take the pic and almost immediately, an Electric Factory staff member comes up behind me and tells me to delete the photo and to put the phone away…and that I would be thrown out if caught taking another photo.
So that was the end of my picture taking. But what bothered me was that, for the remainder of the night, there were people in my immediate vicinity who were obviously raising their cameras up to take photos and video. BUT NOTHING WAS SAID TO THEM. And since the LCD screens on these cameras were so freakin’ noticeable, I could see these photos and videos were coming out 50 times better than the piece of crap blurry pic that existed on my Blackberry for about 15 seconds. AGAIN, NOTHING WAS SAID TO ANY OF THESE PEOPLE. I think the “camera police” guy busted me and, possibly, the guy to my left, and that was it.
Hopefully, I will eventually find these better pics somewhere on the Interwebs and I will, as Mike Doughty says, gank one to accompany this blog post.
OK…so now that my rant is over about that, how was the show?
First, Miniature Tigers opened with a pretty decent set. I had listened to a couple of their songs on their MySpace page to familiarize myself a bit with them and didn’t really like what I had heard. But they sound much better live. And, even though Miniature Tigers are apparently gaining popularity among the young folks (they will be at South By Southwest next month), I don’t think I’ll be jumping on the bandwagon any time soon…just not my cup of tea.
In between Miniature Tigers and Ben Folds, the all-female Gracenotes a cappella group from West Chester University performed two original songs and then a version of “Fred Jones, Part 2” from Ben’s “Rockin’ the Suburbs” CD, which the group recorded with Ben for an upcoming disc featuring 18 a cappella groups from various colleges, universities and high schools performing songs from both Ben’s solo catalog and those from the Ben Folds Five days.
And, like I said, Ben Folds and his four fellow musicians hit the stage around 10 p.m. and knocked it out of the freakin’ park. Aside from nearly getting tossed out for taking a blurry picture with my Blackberry, this may have been the best show I have seen Ben play…especially with a band. He did an incredible solo show a few years ago in Princeton, N.J., that I hold in high regard. But last night’s show may have topped it.
By my count, he played 26 songs that covered a lot of musical territory. I don’t remember the setlist in sequential order, although I am trying to find an accurate setlist on a couple of the Ben Folds-dedicated forums that are out there. In the meantime, I have put together this list of songs based on what CDs they appeared and which were from the Ben Folds Five days:
BEN FOLDS – WAY TO NORMAL ( 2008 )
Effington
Brainwascht
You Don’t Know Me
Hiroshima
Before Cologne/Cologne
Free Coffee
Kylie From Connecticut
Dr. Yang
Dr. Yang (from the “fake leak” version of the CD)
Bitch Went Nuts (from the “fake leak” version of the CD)
Way to Normal (from the “fake leak” version of the CD)
BEN FOLDS – SONGS FOR SILVERMAN (2005)
Bastard
Landed
BEN FOLDS – ROCKIN THE SUBURBS (2001)
Annie Waits
Zak and Sara
The Luckiest (which he dedicated to his wife…contradicting an article published online just two days earlier stating that his fourth marriage, to Fleur, had recently ended)
Not the Same
BEN FOLDS FIVE (in order I remembered what songs were performed):
Fair
Alice Childress (with a credit to WXPN for making it an early “hit” for BF5)
Eddie Walker
Army
Lullabye
Underground
Philosophy (including Misirilou and a bit of Theme from Dr. Pyser at the end)
Kate
Emaline
Any Ben Folds show that features “Army,” “Emaline,” “Philosophy,” “Underground” and “Alice Childress” are considered freakin’ sweet by default. “Fair” and “Kate” made it that much better.
1. Fair
2. Effington
3. Brainwascht
4. You Don’t Know Me
5. Annie Waits
6. Alice Childress
7. Way To Normal
8. Lovesick Diagnostician (fake Dr. Yang)
9. Dr. Yang
10. Hiroshima
11. Bastard
12. Landed
13. Free Coffee
14. Eddie Walker
15. Lullabye
16. Emaline
17. The Luckiest
18. Kylie From Connecticut
19. Army
20. Underground
21. Not The Same
22. Cologne
23. Bitch Went Nutz
Christian Beach’s self-titled CD is now available on iTunes, so if that is your preferred online music retailer, you may sample Christian’s music and buy it there.
Here is the YouTube playlist of Christian Beach’s complete set at the Strand Theater gallery on Feb. 7, 2009, as part of the CD release party for “A Few Uneven Rhymes – A Tribute to Winter Hours.” Enjoy!
(And thanks to Alison for capturing the video with my Flip mino!)
And here’s a fun fact for you: I designed the CD artwork around a photo by Charlie Pranio, which means I just did layout and selected an appropriate font.
Anyway, if you want to check out Christian Beach live, he has a few shows coming up:
Sat., March 28, 2009
8:45 p.m.
S.S. Cape May Music Conference Showcase
Congress Hall – The Brown Room Lounge
Cape May, NJ http://www.sscapemay.com solo
Fri., April 10, 2009
10:00 p.m.
“Christian Beach” CD Release Party @ The Saint
Asbury Park, NJ http://www.thesaintnj.com with band
My friend, singer-songwriter Christian Beach, will be bringing his band to the stage for a four-song set at the historic Strand Theater in Lakewood, NJ, on Saturday, February 7, 2009. I will be part of the backing band, playing organ and accordion.
Christian recorded a cover of Winter Hours’ “I Want” for the CD, which is available on the Main Man Records web site and on iTunes. He will be performing that song, as well as three tracks off his soon-to-be-available, self-titled CD.
The headlining act is Gordon Gano (Violent Femmes) and the Ryan Brothers, so it is sure to be a great night of music at The Strand.
UPDATE: The show is not being broadcast by WBJB-FM 90.5 The Night. That info was based on an ill-advised assumption (and aren’t all assumptions ill-advised?) on my part based on something I saw on the radio station’s web site. So unless you buy a ticket, you are going to miss this incredible show…and that would be a shame.
Brian Kelley 