Flashback: A super-sized Yes performs “Lift Me Up” (1991)

Back in the late 1980s, the progressive rock group Yes included vocalist Jon Anderson, bassist Chris Squire, guitarist Trevor Rabin, keyboardist Tony Kaye and drummer Alan White. At some point, however, Anderson started working with the members of the group’s 1970s “classic” lineup of guitarist Steve Howe, keyboardist Rick Wakeman and drummer Bill Bruford. Eventually, bassist extraordinaire Tony Levin was brought into the fold.

This group — essentially another Yes existing simultaneously with the Squire-led lineup — recorded an album using the name Anderson Bruford Wakeman Howe (ABWH) and went on tour playing songs from the eponymous record as well as classic Yes staples.

A couple of years later, ABWH and Yes were both working on new albums when Anderson and Squire began inviting each other to contribute to the other’s project. Soon, the “classic” ABWH lineup and the then-current Yes lineup were brought together to record the studio album, “Union.” Unfortunately, what should have been a great moment of recorded musical history was plagued by the meddling of Arista Records.

First of all, instead of putting all eight members of the band in the studio to work together, the album became a combination of the material being recorded by each group at the time.

Most of the Yes contributions were unfinished demos from Rabin, who was shocked that the label used the tracks as is…with only Anderson’s vocals added to the mix. And nearly all of the ABWH portions of the record were re-recorded by session musicians as the original parts put down by Howe and Wakeman weren’t polished enough for the record company’s taste. Due to scheduling conflicts with Howe and Wakeman that prevented them from returning to the studio in a timely manner and because Arista wanted to rush the product out the door, the label brought in lesser players to replace the original guitar and keyboard parts. Squire simply added backing vocals to the ABWH tracks, which still featured Levin on bass (which, in that case, wasn’t a bad thing at all).

However, all eight members of the united Yes did embark on a world tour and they kicked ass doing so.

Above is a 1991 video of Yes in Denver, Colo., performing “Lift Me Up,” which was one of Rabin’s unfinished demos and served as the first single off “Union.” The live version is vastly superior to the glorified demo that wound up on the album.

Upcoming show with Christian Beach on March 28

Main Man Records

Just a quick announcement…I will be playing organ and tambourine as part of Christian Beach’s backing band when he plays a four-song set at The Brighton Bar (121 Brighton Ave.) in Long Branch, N.J., this Friday night, March 28. The performance is part of Main Man Records’ CD release party for “Hero: The Main Man Records Tribute to David Bowie.” Christian recorded a cover of Bowie’s “Five Years” for the 2-CD set.

Actually, if you check out Main Man’s MySpace site, Christian’s “Five Years” (listed as “5 Years”) can be found on their music player so give it a listen.

Again, here is the info:

Main Man Records “Hero” CD Release Party
The Brighton Bar
121 Brighton Ave.
Long Branch, NJ
Friday, March 28, 2008
Doors open at 7:30 p.m.

Hope to see you there.

What the heck…here’s one more PG video (“Secret World” – Live 1993)

Peter Gabriel – “Secret World” (Live 1993)

Sorry…I need to post one more Peter Gabriel video. This one is a performance of “Secret World” from the “Secret World Live” tour that supported the “Us” album. I love this song (if you go to my MySpace Music site and listen to “The Greatest Love,” you may hear the influence) and experiencing it in concert is always a thrill for me. I don’t know…maybe it’s the combination of a great song, strobe lights and twirling.

Peter Gabriel: “Lay Your Hands on Me” (Live 1988)

Peter Gabriel: “Lay Your Hands on Me” (Live 1988)

I have been listening to Peter Gabriel a lot lately because the first single, “Whole Thing,” from his long-awaited Big Blue Ball project (it’s a multi-artist effort…NOT a new PG album) was recently released as a single on iTunes. Anyway, I was wandering around YouTube and spent a good hour or so watching some Peter Gabriel videos…and this performance of “Lay Your Hands on Me” from the late 80s tour supporting “So” is one of my favorite all-time concert experiences (I wasn’t at this particular show, but it went down basically the same way when my sister and I saw him from row 16 of the floor at The Spectrum in Philly).

For the uninitiated, this song may be tough to get through, but trust me…right around the 4:40 mark of this clip, it gets freakin’ amazing…and I don’t care what kind of music you’re into.

Recap: Howard Jones in South Jersey, 1/18/08

I went to see one of the musical influences of my youth, Howard Jones, perform last Friday night at the Dennis Flyer Memorial Theatre on the Blackwood, N.J., campus of Camden County College. The venue seats about 600, but — disappointingly — it was only about half-filled. However, that did make for a very intimate performance.

HoJo, better known for his synthesizer-driven pop hits of the 1980s, played digital piano and was accompanied by long-time collaborator Robin “The Itch” Boult on acoustic guitar. I wound up buying a live CD from a show the pair recorded last year in the UK and had HoJo sign it after the show. I would have taken a picture of this brief meeting…except my camera batteries died and I forgot to bring extras with me. D’oh!

Anyway, I found this YouTube video of HoJo and Robin performing “Life in One Day” in Brisbane from a March 2007 show.

UPDATE…After I originally posted this, I found a couple of YouTube videos from the show I attended, plus one of HoJo and Robin performing “Life in One Day” at a March 2007 show in Brisbane.

Enjoy!

Howard Jones “Life in One Day” Live @ Brisbane, March 2007
This video starts out with HoJo telling a story about how the record company forced him to write it because the “suits” didn’t hear any hits on what would become his biggest-selling album (“Dream Into Action”)…and then there is a bit of a false start at the start of the song. But it’s all super fun!

Howard Jones “Like To Get To Know You Well” – Blackwood, NJ (1/18/08)
This video cuts off before the end of the song, but includes a funny story about how a translation of “Like to Get to Know You Well” into Japanese nearly destroyed Howard Jones’ career.

Howard Jones “No One is to Blame” – Blackwood, NJ (1/18/08)
No funny stories here…just HoJo performing his classic hit, “No One is to Blame,” the way it was meant to be heard (i.e., without Phil Collins messing around with it).

Another show coming up

Christian BeachMy friend Christian Beach has once again invited me to play some organ and — believe it or not — accordion for a show he is doing Feb. 2, 2008, at Paul’s Tavern in Belmar, NJ.

Also, just wanted to let you know that Christian’s cover of David Bowie’s “Five Years,” on which I play organ, appears on “Hero: The Main Man Records Tribute to David Bowie.” The 2-CD set, which was released on Christmas Day, features many Jersey artists’ takes on Bowie classics and is available now from the Main Man web site.